Sometimes, if we are lucky enough to get a job Essay Example

Sometimes, if we are lucky enough to get a job Paper Fulfillment of our needs, desires, and goals in life entail that we become employed and receive paychecks. Sometimes, if we are lucky enough to get a job that we want, we experience less stress. As it follows that although the chosen work is tedious, the catch is that we are doing what we like. Regrettably, for majority of us, the job that we prefer we do not usually end up getting. Â  When we work, we are conditioning ourselves physically and emotionally for the tasks ahead. The load of our work has tendencies to become heavier as the day progresses, and we find ourselves becoming stressed by the increasing work load and our decreasing energy. Stress, as defined by Panzarino, are forces from the outside world affecting the individual (Panzarino, 2008). This condition is a common health problem that is being encountered by 80% Americans with their jobs, according to the American Institute of Stress. We will write a custom essay sample on Sometimes, if we are lucky enough to get a job specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Sometimes, if we are lucky enough to get a job specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Sometimes, if we are lucky enough to get a job specifically for you FOR ONLY $16.38 $13.9/page Hire Writer It’s effects on the employees range from physical symptoms like sleep disturbances, headache, and fatigue, to emotional symptoms like nervousness, anxiety, and overeating (Panzarino, 2008). These physical and emotional symptoms can become a hindrance to our job performance. Fortunately, there are easy ways on how to overcome stress. Stress management includes regular exercise, meditation, eradication of drug use, moderate alcohol use, and incorporation of a routine inside our household and work space (Panzarino, 2008). These are simple and easy steps, but if we value our health and would not want stress to become a limitation or health problem in our work we can opt to do these. Our careers may not be the ones that we have dreamed of when we were still young, but they help us grow and become mature in a lot ways. Our jobs also provide us with the financial needs necessary to keep us comfortable in our daily living. Stress is one of the many employment problems encountered. Like stress, most of these problems have solutions, and rectifying it is totally up to us. References: American Institute of Stress. (2000). Job Stress. Retrieved September 4, 2008, from http://www.stress.org/job.htm Panzarino, P. (2008). Stress. Retrieved September 4, 2008, from http://www.medicinenet.com/stress/article.htm

Using the Spanish Preposition Tras

Using the Spanish Preposition 'Tras' The Spanish preposition tras, usually meaning behind or after, isnt a particularly common preposition. In fact, you could probably get by without even using it at all, as the prepositional phrases detrs de (behind in location) and despuà ©s de (after in time) can usually be used instead. Tras is more common in writing than in speech. Even so, tras has significant use in journalese (its a shorter word to use in headlines) and in a few phrases such as uno tras otro (one after the other) and dà ­a tras dà ­a (day after day). Here are the most common meanings of tras, along with examples of its use. Tras Meaning After (In Time) Tras is sometimes used to mean after (in time), as in the following examples: Se degradà ³ la libertad de prensa tras la eleccià ³n. (Freedom of the press was diminished after the election.) El restaurante abre de nuevo tras ser cerrado. (The restaurant is opening again after being closed.) Tras Meaning In Pursuit Of Tras can also mean after (in the sense of advancing toward or being in pursuit of), as in these cases: Iba  tras  las riquezas.  (He was after riches.)   El perro salià ³Ã‚  tras  ella.  (The dog went after her.) Tras Meaning Behind It can also be used to say behind (in location), as in these examples: Tras las puertas cerradas puede haber violencia. (Behind closed doors there can be violence.) Necesita contraseà ±a para participar en las conversaciones tras la pared de proteccià ³n corporativa. (You need a password in order to participate in conversations behind the corporate firewall.) Tras- as a Prefix Tras- also is commonly used as a prefix, where it is a shortened form of trans- and often the equivalent of the English prefix trans-, as in  trascendental (transcendental), trascribir (to transcribe), trascontinental (transcontinental).

About book Frankenstein Assignment Example | Topics and Well Written Essays - 1000 words

About book Frankenstein - Assignment Example According to Shelley‘s novel, Frankenstein involved himself in exploration of anatomy and physiology without any assistance, and as a result, he created a monster that turned out to be miserable and was rejected by the society. This monster filled the heart of Victor with breathless disgust and horror (Shelley 39). It also had an innocent mind because it did not know its origin. With a quest to know its origin, the monster began learning the language of humans through three books he found in the home of the cottager. These books are sorrows of Werther; paradise lost, and finally Plutarch lives and they all shared the experiences of the world. Upon reading these books, the creature discovered that the more he gained the knowledge about himself, the more his pain intensified. He also learnt that human beings can as well act like monsters. From her story, we are able to see that her education point of view is that the education destroys self, rather than improving it. The monster developed through acquisition of language and learnt various human accomplishment and virtues. At the same time, he gained the knowledge about the suffering of people, and as a result, he was able to distinguish what was evil and what was good (Hobbler 67). Therefore, the good became preferable to him, but later as his civilization increased, it became a tragedy since he did not know where he belonged, man or a monster, evil or good. He felt forsaken and felt like an outcast, who did not have any protection or guidance, as humans did. At first, he was a creature who possessed subtle sensations, but after reading the three books, he became a creature with evil passions (Shelley 120). Because of the lack of protection and guidance, the monster decided to revenge because he was an outcast. Not only does the growth of the monster reflect education as both poison and remedy, but also it reflects it

Appeal letter Essay Example | Topics and Well Written Essays - 250 words - 2

Appeal letter - Essay Example My GPA stands at 2.05 and 3 failures on my transcript. I have made plans to retake failed classes where I already took Math 234 in the Spring 2012 quarter, and the other two classes after Fall 2012. I also went to my professors’ offices as well as relying on Dr. Sylvester advice on how to retake the failed classes. Additionally, I plan to take one less class than normal to enhance my focus on the classes at hand. These efforts seek to help me and boost my GPA. As such, having identified my problems and subsequently establishing measures to resolve them and improve my GPA, I feel that a suspension is counter-productive to my quest for education. Indeed, am already registered for Fall 2012 and am ready to do better. Hence, I request the University’s reversal of my dismissal letter. I will gladly appreciate another opportunity to keep studying in Seattle University with a promise to work hard and improve my

Sage 50 Construction Accounting 2014 Research Paper

Sage 50 Construction Accounting 2014 - Research Paper Example The software also allows a company to come up with custom reports, draft budgets for various departments and branches, and integrate different organizations for financial reports among other functions (Franks pg95). Sage 2014 software contains various customization tools to enable a construction company smoothly run its activities. Some of the tools used are progress billing, robust job costing and industry specific reports. These tools are designed and premeditated in such a way that intensifies accuracy, save time and assist in understanding business profitability. Other tools and services provided by Sage are pro accounting that provides efficiency to your company, facilitate quick expansion, customize inventory, manage client contracts, trail jobs and facilitate shipping and vendor management. Premium accounting tool enables a constructing company manage its budgets, strategic planning and filter financial records. Last but not least is a quantum accounting tool which manages large amounts of data, and a wide range of customer access requirements. As the business world expands, it is now vital to integrate technology in business by use of electronic commerce packages. Sage 2014 construction accounting software integrates technology in business, by allowing online payment, by use of credit and debit cards. Online payment has opened up global buying and selling of the software thus increasing sales in the construction industry (Morris and Richard pg210). Use of electronic commerce saves on time and costs incurred in preparing documents. This software also enables twenty four seven services to customers and suppliers. The software also facilitates communication between the suppliers, clients and the construction industry. Complaints brought forward are dealt with within a short time. This leads to improved services as

Qin Shi Huang In Society And Modern Media History Essay

Qin Shi Huang In Society And Modern Media History Essay Scholars debate over Qin Shi Huang Dis legacy that he left after his reign 2,200 years ago. To the western public, he has been perceived as a disillusioned, power-hungry, tyrannical man whose lust for immortality he sought brought about the buried legacy of perfect, baked clay models dating from before the birth of Christ. In the last 50 years or so, his history has been re-analyzed into a colossus of a historical figure in Chinese history almost equivalent to Alexander the Great and Caesar rolled into one. By ruthless force of will, he bound warring states together and knit them into a tightly centralized system, standardized Chinas language and law, and built major structures such as the early Great Wall of China. Even the style of his coinage, round with a square-shaped hole in the middle, lasted until the dawn of Communist rule. Few other rulers have so shaped the sinews of their country. However, these feats pale in comparison to his greatest legacy, the establishment of a burea ucracy that would survive for more than 2,000 and would be the largest in the world, staffed by educated men and reaching to the lowest peasant in the land (Wood). The view held by the western public reflects the darker aspects of his life. Despite his massive reforms in the economic and political systems of China, he also garnered the reputation of being an oppressive and borderline psychotic ruler, the most commonly cited example being the Great Wall of China, which was built with hundreds of thousands of conscripted workers in such a small timeframe that thousands were overworked to their deaths. (Many of these workers are believed to be actually buried within the Great Wall) Perhaps one of the greatest stories that personified these psychotic and tyrannical tendencies is one regarding his obsession with immortality. In an attempt to obtain the fabled elixir of life, he dispatched thousands of people to Penglai mountain. When none returned (because failure meant execution), he se nt another expedition consisting of three men, only to be offered the feeble excuse that they had been frightened off by a gigantic fish. He duly set off to shoot it with a repeating crossbow, though despite his attempts, the elixir continued to elude him. His next attempt, immortality pills, consisting of mercury, which his alchemists assured would confer the same power that the substance displayed in absorbing gold, would prove fatal. The dynasty he had promised to last for thousands of years would barely struggle through a decade. The root of Chinas current alteration of the perception of Qin Shi Huang Di roots from the similarities derived between Qin Shi Huang Di and Mao Ze Dong. Both were inspirational leaders who united China in their times of need. Qin Shi Huang Di united China following a 200 year period, known as the Warring States period, creating a political entity recognizable as the China we know today. Similarily, Mao Ze Dong united a war-torn China following the collapse Qing dynasty, managing to create stability in a land which was used as World War IIs battlefield. However, the similarities do not end there. Qin Shi Huang Di was also know for his massive public works projects, often recruiting hundreds of thousands of workers at the expense of tens of thousands of lives à ¿to complete great engineering marvels such as the Great Wall of China, the Lingqu Canal, and the Mausoleum of the First Emperor. Mao Ze Dong similarly ordered huge public works projects, such as dams, canals and other infrast ructure projects, which millions of peasants and prisoners had been forced to toil on and in many cases die for. However, these projects often proved useless as they had been built without the input of trained engineers, whom Mao had rejected on ideological grounds. Other policies set out during Maos reign parallel Qin Shi Huang Dis actions during his reign. For example, both were extremely well known for their persecution of intellectuals in their empires that Mao would later be quoted as bragging: He [Qin Shi Huang Di] buried 460 scholars alive; we have buried 46,000 scholars alive. As Tun Dun, the musical composer for Crouching Tiger Hidden Dragon and Hero, would put it, Qin Shi Huang Di was pretty much like Mao Zedong. He unified China. He made the language, made the measuring system, made the currency. With these similarities, it would come as no surprise that the Communist party, just as it has protected the reputation of Mao in order to defend both the legitimacy of his leade rship and the foundation of the Communist government in China, would protect the reputation of Qin Shi Huang Di in a similar manner lest Mao be compared to Qin Shi Huang Di in a historical sense. The Communist government has commonly censored foreign films, a practice almost completely alien to Americans. Instead of a free speech clause in their equivalent Constitution, the Communist government is allowed completely control over the media world of China. Especially with foreign films, the Communist government uses a list of criteria to screen the film from the following attributes: Criticism against social order and government Disruption on the unity of various ethnicities of the state Endanger the sovereignty and territorial of the state. Endanger security of the state; harm the public reputation and interests of the state. Disrupt the unity of various nationalities of the state Divulge a state secret Advocate inappropriate sexual relationship; violate moral standard, or obscene content; having strong visual stimulation; tempt people degeneration Advocate superstitious belief; offense against social order Advocate violence; appeal people despise dignity of law; tempt crime; disrupt public security If failing to meet any of these requirements, the movie is typically banned from the country. While the Communist government has long had a stronghold on foreign films and has gained a strong reputation recently for its restriction of foreign films, domestic films face even closer scrutiny. While foreign movies must be screened by censors, domestic productions must submit their plots and final product for approval. The examination period for reviewing in the first step is 15 days, examine fees are based on government policy in different case. In second step, producers get response from censorship department for content should be modified. Last, after modification made accordingly, production will be sent back to review by censorship department. If content has been modified accordingly, the film will then be certified to be broadcasted. In addition, if filmmakers who are not agree with the examination, they are allowed to apply for reviewing no later than 30 days of the first time sub mission. Because of this strict screening process, many of Chinas prominent filmmakers have run afoul of the censors (such as some of the films mentioned below). But the communist governments ability to block unwanted material has withered, thanks to the Internet and a black market that made copies of unauthorized movies available. Hit films often generate tens of thousands of black-market copies, and are generally widely available on pirated DVDs. As the government controls much of the major media within China today, Qin Shi Huang Dis legacy and current perception is altered based on his portrayal in modern media outlets. à ¿Filmography is perhaps the simplest way to reach major audiences. A modern marvel that can instantly reach millions of viewers at once in just days, it comes to no surprise that Qin Shi Huangs greatest appearances in modern media are in movies. The most recent movie to portray Qin Shi Huang Di or reference him would be The Mummy Returns: The Tomb of the Dragon Emperor. However, this movie will not be discussed due to the fact that it is an entirely Western-Based movie and thus, involving no direct influence from the Chinese government and Chinese directors. It is interesting to note that in this movie, many of Emperor Hans signature aspects such as terra cotta warriors or obsession with immortality are based off of Qin Shi Huang Di. The Myth, the next most recent mainstream Chinese movie to feature Qin Sh i Huang Di is indeed directed by a Chinese (Hong Kong) director. However, Qin Shi Huang Di similarly plays a barely supporting role (his persona not even being seen once in the entire film). However, his obsession with immortality and his large mausoleum are referenced as well. Finally, Hero, the third most recent movie to feature Qin Shi Huang Di actually features the emperor on a rather important level. On at least three levels, The Hero violated the consensus of todays Chinese audience. First, ordinary peoples common judgment, which has lasted for thousands of years, that Qin Shi Huang Di was a tyrant, and that tyrants should be condemned. Although the aspiration for a benevolent ruler implied in this view is still a longing under autocratic rule, the condemnation of tyranny is universal. However, the movie Hero is intended to reverse the pubic view towards Qin Shi Huang Di, and goes against the sentiment of the audience. Hero is based on a stance that reverses the judgment towards tyrants. It takes the perspective not of the majority but of a tiny group of people. Second, ordinary peoples general view of martial arts heroes. You have to pay a price for the so-called wandering in the wilderness, but by paying the price you free your heart and spirit, and realize the desire to be in charge of your own life. Peoples general yearning for martial arts and acceptance of it are based on this longing for freedom. But in Hero, when Can Jian and Wu Ming give up their idea of assassinating Qin Shi Huang Di, ostensibly it marks a transcendence of their personal hatred. However, in reality it coincides with the emperors personal ambition, that the world under heaven is the world ruled by the son of heaven, and that consideration of the benefits of the world under heaven is the consideration for the benefit of the son of heaven. The film makes no secret of this view, which is expressed from the mouth of Qin Shi Huang Di: I didnt expect that the one who knows me best, the soul mate who echoes my wants and mind is the one wandering the wilderness. Realistical ly speaking, this movie captures the heart of propaganda towards the legitimacy of Qin Shi Huang Di. Even going so far as to accuse his own officials of calling him a tyrant, Qin Shi Huang Di (the actor) fails to even touch upon the actual actions that made him a tyrant (the building of the Great Wall of China, etc). Instead, he spews out highly theoretical talks of unification, idealized to the point of unreality. Perhaps the greatest indication of this movie aligning its ideals towards Communist ideals is the last translation of Tian Xia, another name for China. Of all the translations of such a name, the most common and literal one being under the heavens, the producers of Hero chose to instead translate it as Our land, to justify Qin Shi Huang Dis conquests. Our Land, the idea that the land is shared by the common person and that it was Qin Shi Huang Dis responsibility to unify China for the sole sake of protecting the common person would have been alien in Ancient Chinese socie ty. The consolidation of power into a single family has been the entire basis of Chinese history (dynasties). It has not been since the start of the Communist rule where the common persons ideals and welfare was truly looked out for by the government. Thus, in summary, Hero was a Communist ideal spouting movie sugar coated in the goodness of martial-arts fight scenes and dramatic and unpredictable plot twists. When the Map is Unrolled, the Dagger is Revealed. This is a famous figure of speech in China, which fits Chen Kaiges latest epic drama perfectly both in story and meaning. It means that only at the end we see peoples real intentions and their true nature. The figure of Ying Zheng (Qin Shi Huang Di) assumes gigantic proportions in this near-Shakespearean tragedy. Hes painted as a fair and just man at the beginning, but he eventually submits to his thirst for power and the dogma of his ancestral mandate. Thanks to pressure and paranoia, Ying Zheng betrays his initial intentions which were to unite all of China peacefully and lead it to years of prosperity. Thats what he initially promises. However, like most politicians, the promises become dead air when he finally reaches his goals. One of Ying Zhengs concubines and the love of his life, Lady Zhao, functions as a counterpoint to the Emperor. A fictional character, shes used by the director to give voice to the masses. She represents people who want humanity to prevail over bloodletting and power-thirsty dictators. These are the people who weep over the senseless loss of life, and want a peaceful solution instead. The film is structured into five acts which lay the groundwork for the final part in which the reluctant assassin Jing Ke plots to kill Ying Zheng. The intricate story might be difficult to follow for someone whos not used to Chinese history, but the script flows well and the characters are developed so effectively that such apparent shortcomings dont really matter at the end. Chen Kaige could have decided to focus on a history lesson, but instead hes more interested in three central characters (Ying Zheng, Lady Zhao and Jing Ke) and their motives. Hes able to create a psychological profile for Ying Zheng, who at first seems in control, but ultimately is the cause of his own undoing. His attempts to bring peace and prosperity to his kin conflict with the danger of holding too much power in ones hands. He cant handle the situation and the consequences are terrible. And guess who pays the price? The same people he was trying to help. Interestingly enough, this movie does not attempt to draw as many parallels between Qin Shi Huang Di and Mao Ze Dong. Dealing with less of his political actions throughout his reign and more with his relationship with his friends and family around him, it is hard to say whether or not the censors in China even bothered to red flag the film. Considering the difficulty of processing this film into anti-Communist propaganda rather a criticism of Qin Shi Huang Dis rule in general, this movie could have easily slipped under the scope of Chinese censors. The Emperors Shadow is an extravagant take on the life and times of Qin Shi Huang Di. Through the friendly relationship between a musician and the Emperor and lavish sets (billed as the most expensive film ever shot in China), it paints an epic picture of Qin Shi Huang Dis rise to power. Realistically speaking, taking out the historical information and the luxurious backgrounds, the movie is really nothing more than the altogether familiar (and relatable) story of two childhood-best-of-friends from different backgrounds and their ideological differences that separate the two. Though he may be portrayed as a ruthless conquerer, he produces some redemptive qualities that would draw him into a more positive light as a character. Qin Shi Huang Dis portrayal is almost identical to the one mentioned in hero as he is portrayed as being concerned with the symbols and identity of the new Qin Dynasty, and the way that these new symbols will come to represent all of China, and be accepted by th e people. In 1996, it did brisk business at the box office during a brief release in five major Chinese cities; but then was banned for censorship reasons. The idea that art could not be controlled by the media (a practice indeed supported during the reign of Qin Shi Huang Di) was also well supported Mao as well. This idea of restricting media in order to control the intellectual in China for both time periods, however, rang a negative light towards the censors, and in a swift act of irony, red flagged and consequently banned the film. However, it should be of note that the film was generally well received by the Western public. For whatever reason, it served as an actual inspiration for the musical The First Emperor. However, again, this was indeed a Western production and thus prospective on Qin Shi Huang Dis rule, which is not relevant to the thesis of this paper. Based upon the few movies portraying Qin Shi Huang Di, it can concluded that the Chinese government has altered Qin Shi Huang Dis perception in modern Chinese culture as a benevolent (if not heroic) figure that directly conflicts the nature of his past in order to draw parallels to and support the Communist government due to many of the similarities between the Chinese Communist party Mao and the emperor. Movies that either seem to conflict with Qin Shi Huang Dis ideals that coincide with Communist party agenda seem to become red flagged by Chinese censors while films that only portray Qin Shi Huang Di in a less than favorable light receive no punishment whatsoever. However, it definitely must be noted that this analysis of the role of the Communist government in Qin Shi Huang Dis is limited in several ways, the first being that the oldest movie with Qin Shi Huang Di was created in the late 90s. However, this only man point further to the similarities of Qin Shi Huang Di and Mao as i t would seem to indicate that Qin Shi Huang Di was too sensitive of a subject to work upon until the advent of the 90s where the Chinese government relatively relaxed their censorship laws. Finally, it must be noted that only three movies were referenced for this analysis due to the fact that there have only been three Chinese-made movies that have featured Qin Shi Huang Di ever created.

Custom Written Term Papers: Othello’s Feminine Perspective

Othello’s Feminine Perspective  Ã‚        Ã‚   The audience finds in Othello, Shakespeare’s tragic drama, the feminine perspective on life in general and on various aspects of life. These feminine perspectives from the three lady-characters are not consistent and uniform among the ladies. Let’s consider them in this paper.    Alvin Kernan’s â€Å"Othello: an Introduction† explains the protagonist’s delayed conversion to the feminine perspective:    His willingness to speak of what he has done – in contrast to Iago’s sullen silence – is a willingness to recognize the meaning of Desdemona’s faith and chastity, to acknowledge that innocence and love do exist, and that therefore The City can stand, though his life is required to validate the truth and justice on which it is built. (81)    At the outset of the play only the male perspective is given: Iago persuades the rejected suitor of Desdemona, Roderigo, to accompany him to the home of Brabantio, Desdemona’s father, in the middle of the night. Once there the two awaken the senator with loud shouts about his daughter’s elopement with Othello. In response to the noise and Iago’s vulgar descriptions of Desdemona’s involvement with the general, Brabantio arises from bed. With Roderigo’s help, he gathers a search party to go and find Desdemona and bring her home. The father’s attitude is that life without his Desdemona will be much worse than before:    It is too true an evil: gone she is;   Ã‚  Ã‚  Ã‚   And what's to come of my despised time   Ã‚  Ã‚  Ã‚   Is nought but bitterness. (1.1)    Brabantio is the old father, and he hates to lose the comforting services of his Desdemona. The daughter’s husband Othello expresses his sentiments to Iago regarding his relationship... ...llo: A Tragedy of Beauty and Fortune.† Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from â€Å"The Noble Moor.† British Academy Lectures, no. 9, 1955.    Heilman, Robert B. â€Å"Wit and Witchcraft: an Approach to Othello.† Shakespeare: Modern Essays in Criticism. Ed. Leonard F. Dean. Rev. Ed. Rpt. from The Sewanee Review, LXIV, 1 (Winter 1956), 1-4, 8-10; and Arizona Quarterly (Spring 1956), pp.5-16.    Kernan, Alvin. â€Å"Othello: and Introduction.† Shakespeare: The Tragedies. Ed. Alfred Harbage. Englewood Cliffs, NJ: Prentice-Hall Inc., 1964.    Muir, Kenneth. Introduction. William Shakespeare: Othello. New York: Penguin Books, 1968.    Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.